Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson’s The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem’s cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions’ publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.
"Ranging widely without sacrificing what is an exhaustive analysis of single images, the book wears its encyclopedic knowledge lightly.... What distinguishes James Thomson’s The Seasons, Print Culture, and Visual Interpretation,1730–1842 and what will win it a broad audience is Jung’s salutary commitment to “reconnecting” book-historical inquiries to art-critical discussions of illustration or iconotext... This focus on both the technological and cultural contexts for book illustration will attract a broad, interdisciplinary audience... Fusing book history with art criticism toinvestigate the intersections of technology, marketing, and eighteenth-century poetic reception, Jung’s study promises to reshape the field of book illustration studies." - ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews
"More than 100 reproductions, many from the author's own collection, make this book impressive as a labor of love as well as of scholarship.... Jung has made a significant contribution to Thomson scholarship and the history of eighteenth century book illustration." - New Perspectives on the Eighteenth Century
Формат: Скан PDf
"Ranging widely without sacrificing what is an exhaustive analysis of single images, the book wears its encyclopedic knowledge lightly.... What distinguishes James Thomson’s The Seasons, Print Culture, and Visual Interpretation,1730–1842 and what will win it a broad audience is Jung’s salutary commitment to “reconnecting” book-historical inquiries to art-critical discussions of illustration or iconotext... This focus on both the technological and cultural contexts for book illustration will attract a broad, interdisciplinary audience... Fusing book history with art criticism toinvestigate the intersections of technology, marketing, and eighteenth-century poetic reception, Jung’s study promises to reshape the field of book illustration studies." - ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews
"More than 100 reproductions, many from the author's own collection, make this book impressive as a labor of love as well as of scholarship.... Jung has made a significant contribution to Thomson scholarship and the history of eighteenth century book illustration." - New Perspectives on the Eighteenth Century
Формат: Скан PDf
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