Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts. With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning. His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of philosophical issues in aesthetics alongside close readings of novels by Henry James, Marcel Proust, and J. M. Coetzee.
The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience. Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline’s traditional analytic and discursive forms. Pippin’s claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects. In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy. The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection. Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.
" [A] marvellous, labyrinthine book." - Times Literary Supplement
"Philosophers weary of banal abstraction will find fresh sources of inspiration within Pippin’s poetic importations... Pippin makes a strong case not only for a philosophic reading of art, but also for an artistic reading of philosophy." - Athwart
"Artworks are neither aesthetically rendered content ripe for philosophical articulation at a later stage, nor mere particulars resisting interpretation, but are revealed here as the friction that any thinking needs to make its concepts come alive for us. In this way, this book offers the finest compliment philosophy could give to art, not by defining it or grasping it in a comprehensive theory, but by engaging it and letting it offer us something to understand, again and again." - The Journal of Aesthetics and Art Criticism
"The book should likewise prove a rewarding read for those working in the field of literature and philosophy more generally, as Pippin treats the literary more seriously and with greater precision than just about any other contemporary American philosopher." - ALH Online Review
Формат: Скан PDf
The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience. Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline’s traditional analytic and discursive forms. Pippin’s claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects. In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy. The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection. Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.
" [A] marvellous, labyrinthine book." - Times Literary Supplement
"Philosophers weary of banal abstraction will find fresh sources of inspiration within Pippin’s poetic importations... Pippin makes a strong case not only for a philosophic reading of art, but also for an artistic reading of philosophy." - Athwart
"Artworks are neither aesthetically rendered content ripe for philosophical articulation at a later stage, nor mere particulars resisting interpretation, but are revealed here as the friction that any thinking needs to make its concepts come alive for us. In this way, this book offers the finest compliment philosophy could give to art, not by defining it or grasping it in a comprehensive theory, but by engaging it and letting it offer us something to understand, again and again." - The Journal of Aesthetics and Art Criticism
"The book should likewise prove a rewarding read for those working in the field of literature and philosophy more generally, as Pippin treats the literary more seriously and with greater precision than just about any other contemporary American philosopher." - ALH Online Review
Формат: Скан PDf
https://www.yakaboo.ua/ua/philosophy-by-other-means-the-arts-in-philosophy-and-philosophy-in-the-arts.html