Assesses the cultural impact of China's unprecedented level of urbanization by looking at urban planning, architecture, and cultural debates as well as film and fiction relevant to urbanization.
Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By relating the built environment to culture, Visser situates postsocialist Chinese urban aesthetics within local and global economic and intellectual trends.
In the 1980s, writers, filmmakers, and artists began to probe the contradictions in China’s urbanization policies and rhetoric. Powerful neorealist fiction, cinema, documentaries, paintings, photographs, performances, and installations contrasted forms of glittering urban renewal with the government’s inattention to a livable urban infrastructure. Narratives and images depicting the melancholy urban subject came to illustrate ethical quandaries raised by urban life. Visser relates her analysis of this art to major transformations in urban planning under global neoliberalism, to the development of cultural studies in the Chinese academy, and to ways that specific cities, particularly Beijing and Shanghai, figure in the cultural imagination. Despite the environmental and cultural destruction caused by China’s neoliberal policies, Visser argues for the emergence of a new urban self-awareness, one that offers creative resolutions for the dilemmas of urbanism through new forms of intellectual engagement in society and nascent forms of civic governance.
"“[A] timely and valuable study. . . . [It] will be an indispensable guide for students and scholars of contemporary Chinese urban culture.”" - Journal of Asian Studies
"“lluminating and rich in material. . . . Visser’s account of changing urban planning, especially the aesthetics of planning, is fascinating. . . . The book makes an important contribution to the contemporary cultural studies in China.”" - Asia Pacific Viewpoint
"“[T]his book is a strong intervention in our understanding of the key contributors to the urban art scene, and to formations of critique in China’s cities.”" - The China Quarterly
"“This is an important study of a global issue which applies particularly to China in this period of unprecedented development: how to manage and ‘survive’ in the cities as they expand and modernise.”" - Asian Affairs
"“Visser’s study develops a new perspective on critical inquiry and urban culture in the postsocialist period by situating them within the tension between place and space in a rapidly changing urban environment.”" - H-Net Reviews
"“For a brilliant discussion of artistic insubordination in reaction to urban modernity in literature, performance and art, I keenly recommend Robin Visser’s Cities Surround the Countryside.”" - The Nation
Формат: Скан PDf
Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By relating the built environment to culture, Visser situates postsocialist Chinese urban aesthetics within local and global economic and intellectual trends.
In the 1980s, writers, filmmakers, and artists began to probe the contradictions in China’s urbanization policies and rhetoric. Powerful neorealist fiction, cinema, documentaries, paintings, photographs, performances, and installations contrasted forms of glittering urban renewal with the government’s inattention to a livable urban infrastructure. Narratives and images depicting the melancholy urban subject came to illustrate ethical quandaries raised by urban life. Visser relates her analysis of this art to major transformations in urban planning under global neoliberalism, to the development of cultural studies in the Chinese academy, and to ways that specific cities, particularly Beijing and Shanghai, figure in the cultural imagination. Despite the environmental and cultural destruction caused by China’s neoliberal policies, Visser argues for the emergence of a new urban self-awareness, one that offers creative resolutions for the dilemmas of urbanism through new forms of intellectual engagement in society and nascent forms of civic governance.
"“[A] timely and valuable study. . . . [It] will be an indispensable guide for students and scholars of contemporary Chinese urban culture.”" - Journal of Asian Studies
"“lluminating and rich in material. . . . Visser’s account of changing urban planning, especially the aesthetics of planning, is fascinating. . . . The book makes an important contribution to the contemporary cultural studies in China.”" - Asia Pacific Viewpoint
"“[T]his book is a strong intervention in our understanding of the key contributors to the urban art scene, and to formations of critique in China’s cities.”" - The China Quarterly
"“This is an important study of a global issue which applies particularly to China in this period of unprecedented development: how to manage and ‘survive’ in the cities as they expand and modernise.”" - Asian Affairs
"“Visser’s study develops a new perspective on critical inquiry and urban culture in the postsocialist period by situating them within the tension between place and space in a rapidly changing urban environment.”" - H-Net Reviews
"“For a brilliant discussion of artistic insubordination in reaction to urban modernity in literature, performance and art, I keenly recommend Robin Visser’s Cities Surround the Countryside.”" - The Nation
Формат: Скан PDf
https://www.yakaboo.ua/ua/cities-surround-the-countryside-urban-aesthetics-in-postsocialist-china.html