Raizman explores key texts and moments in graphic design history, highlighting issues of gender, class, and race and placing print culture in its economic, social and political contexts.
Reading Graphic Design History uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction and typography, often addressing issues of class, race and gender.
David Raizman’s innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design. He re-examines ‘icons’ of graphic design in light of their local contexts, avoiding generalisation to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than broad views that discourage the understanding of difference and the means by which graphic design communicates cultural values. With a foreword by Steven Heller.
"Raizman's expert analysis ranges across a spectrum of material artifacts to uncover what has, for too long, been neglected in histories of modern graphic design. Reading this book will reward those who hunger for meticulous and inventive interpretation." - Michael J. Golec, Associate Professor of Art and Design History at the School of the Art Institute of Chicago, USA
"Raizman treats each of his topics on its own terms, diving deeply into social, practical, and creative issues without shoehorning his subjects into ideological boxes. It is rare to find design writing this informative and this enjoyable." - Gunnar Swanson, Professor of Graphic Design at East Carolina University, USA
Формат: Скан PDf
Reading Graphic Design History uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction and typography, often addressing issues of class, race and gender.
David Raizman’s innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design. He re-examines ‘icons’ of graphic design in light of their local contexts, avoiding generalisation to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than broad views that discourage the understanding of difference and the means by which graphic design communicates cultural values. With a foreword by Steven Heller.
"Raizman's expert analysis ranges across a spectrum of material artifacts to uncover what has, for too long, been neglected in histories of modern graphic design. Reading this book will reward those who hunger for meticulous and inventive interpretation." - Michael J. Golec, Associate Professor of Art and Design History at the School of the Art Institute of Chicago, USA
"Raizman treats each of his topics on its own terms, diving deeply into social, practical, and creative issues without shoehorning his subjects into ideological boxes. It is rare to find design writing this informative and this enjoyable." - Gunnar Swanson, Professor of Graphic Design at East Carolina University, USA
Формат: Скан PDf
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