Examines how and why religion matters in the history of modern American art.
Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art.
Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
"Doss’s clear and cogent prose, accented by crisp illustrations of key works and supported by extensive research, make this distinctly focused and illuminating study an essential choice for art history collections." - Booklist
"Spiritual Moderns bravely retells the story of modern art, fraught as it may be, with a more honest look at how religion shaped it. . . . Through a series of four case studies, along with an intro and conclusion, Doss exposes how earlier historians of modern art have downplayed religion as a key ingredient in some of modern art’s most heralded breakthroughs. . . . [Doss's] strength as a historian shines bright." - Hyperallergic
"Named one of The Best Art Books of 2023" - Hyperallergic
"Doss reclaims American modernism’s religious element...Spiritual Moderns casts new light on the history of American art." - Christian Century
"Spiritual Moderns investigates how four 20th-century American modernist artists integrated their non-mainstream religious beliefs and commitments into their work. . . . Doss provides artist bios and helpful descriptions of the main characteristics and practices of their religious traditions. . . . The book presents convincing cultural history that brings religious influences forward. . . Recommended." - Choice
"“Doss successfully demonstrates that the story of American modernism is not as secular as it is often presumed to be, and shows without telling that art criticism and history that disregard religion are necessarily shallower than a discourse open to religious thinking and concerns.”" - The Brooklyn Rail
"Erika Doss presents a convincing challenge to the prevailing omission of religion in the story of twentieth-century modernist art in the United States. . . . an exemplary model." - Panorama
Формат: Скан PDf
Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art.
Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
"Doss’s clear and cogent prose, accented by crisp illustrations of key works and supported by extensive research, make this distinctly focused and illuminating study an essential choice for art history collections." - Booklist
"Spiritual Moderns bravely retells the story of modern art, fraught as it may be, with a more honest look at how religion shaped it. . . . Through a series of four case studies, along with an intro and conclusion, Doss exposes how earlier historians of modern art have downplayed religion as a key ingredient in some of modern art’s most heralded breakthroughs. . . . [Doss's] strength as a historian shines bright." - Hyperallergic
"Named one of The Best Art Books of 2023" - Hyperallergic
"Doss reclaims American modernism’s religious element...Spiritual Moderns casts new light on the history of American art." - Christian Century
"Spiritual Moderns investigates how four 20th-century American modernist artists integrated their non-mainstream religious beliefs and commitments into their work. . . . Doss provides artist bios and helpful descriptions of the main characteristics and practices of their religious traditions. . . . The book presents convincing cultural history that brings religious influences forward. . . Recommended." - Choice
"“Doss successfully demonstrates that the story of American modernism is not as secular as it is often presumed to be, and shows without telling that art criticism and history that disregard religion are necessarily shallower than a discourse open to religious thinking and concerns.”" - The Brooklyn Rail
"Erika Doss presents a convincing challenge to the prevailing omission of religion in the story of twentieth-century modernist art in the United States. . . . an exemplary model." - Panorama
Формат: Скан PDf
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